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Robert Gavin Hampson (born Liverpool 1948) was educated at King's College London and the University of Toronto.〔(【引用サイトリンク】first1=Robert ) 〕 He has taught at Royal Holloway, University of London, since 1973, and has been Professor of Modern Literature there since 2000. During the 1970s he co-edited the poetry magazine ''Alembic'' with Peter Barry and Ken Edwards and was part of the British Poetry Revival. He co-edited ''The New British poetries: The scope of the possible'' (1993) with Peter Barry. His poetry publications include ''Assembled Fugitives: Selected poems 1973-1998'' (2001), ''Seaport'' (2008),''an explanation of colours'' (2010), ''Reworked Disasters'' (2012), which was long-listed for the Forward Prize. During his time as Head of the Department of English, he founded the MA in Poetic Practice at Royal Holloway, University of London, with Redell Olsen in 2002 and the MA in Creative Writing with Andrew Motion in 2003.〔(【引用サイトリンク】first1=Robert ) 〕 Graduates of the Poetic Practice programme include Elizabeth-Jane Burnett, Becky Cremin, Frances Kruk, Ryan Ormonde, Jooyeon Park, Sophie Robinson, Karen Sandhu and Steven Willey. His work as one of the editors of ''Alembic'' has received attention in two books by Wolfgang Gortschacher - ''Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993'' (University of Salzburg, 1993) and ''Contemporary Views on the Little Magazine Scene'' (Poetry Salzburg, 2000)- and, more recently, in an interview (with Ken Edwards) by Sophie Seita in the magazine ''mimeo mimeo'' (2014). His best-known work is probably ''Seaport'', which has been written about by Peter Barry, Andrew Duncan, Amy Cutler, Neal Alexander and others. His poetry has been translated into German, Italian and Rumanian. See, for example, Wolfgang Gortschacher & Ludwig Laher, ''So Also Ist Das: Eine Zweisprachige Anthologie Britischer Gegenswartslyrik'' (Haymon-Verlag, 2002), and the translation of the sequence 'Lou Mistrau' in the Italian journal 'Soglie' (August 2014).. In 1999, he was asked to take over the TALKS series that Bob Perelman had established at King's College, London, during his year as a visiting professor there. Hilda Bronstein has given an account of the early years of the London TALKS series in How2 < His more recent work includes 'love's damage', which was published in the Surrey Poetry Festival Magazine (21.05.11), edited by Amy De'Ath and Jonty Tiplady < He has also pursued a parallel career as a Conrad scholar and editor with three monographs on Joseph Conrad: ''Joseph Conrad: Betrayal and Identity'' (1992), ''Cross-Cultural Encounters in Joseph Conrad's Malay Fiction'' (2000) and ''Conrad's Secrets'' (2013). He was editor of ''The Conradian'' (1989–96) and edited various Conrad texts - ''Lord Jim'' (1986), ''Victory'' (1989), ''Heart of Darkness'' (1995) - for Penguin books, as well as Rudyard Kipling's ''Something of Myself'' (1987) and ''Soldiers Three'' (1993) and Rider Haggard's ''King Solomon's Mines'' (2000).〔(【引用サイトリンク】first1=Robert ) 〕 He was recently elected Chair of the Joseph Conrad Society(UK)< He also makes an appearance (lightly disguised) in Adam Roberts's 2003 science-fiction novel, 'Polystom. < ==Publications== Poetry *''Degrees of Addiction'' (London: Share, 1975). *''How Nell Scored'' (London: Poet & Peasant, 1976). *''A Necessary Displacement'' (Orpington: Pushtika, 1978). *''A Feast of Friends'' (Durham: Pig Press, 1982). *''A City at War'' (London: Northern Lights, 1985). *(with David Miller) ''Nevsky Prospekt'' (Dublin: hardPressed poetry, 1988). *''A human measure'' (Dublin: hardPressed poetry, 1989). *''Unicorns: 7 Studies in Velocity'' (London: Pushtika, 1989). *(with Gerlinde Roder-Bolton) ''Dingo'' (London: Pushtika Press, 1994). *''Seaport: interim edition'' (Woking: Pushtika Press, 1995).. *(with Gerlinde Roder-Bolton), ''higher densities: a new hampshire sampler'' (Woking: Pushtika Press, 1996). *''C for Security'' (Woking: Pushtika Press, 2001). *''Pentimento'' (Pushtika Press, 2005). *''out of sight'' (Crater Press, 2012.) *''Assembled fugitives: selected poems'', 1973-1998 (Exeter: Stride Press, 2001). *''Seaport'' (Shearsman, 2008). *''an explanation of colours'' (Veer Books, 2010). * (with Leena Nammari) The Long View (2011). *''Reworked Disasters'' (ksf,2012). * (with Robert Sheppard) ''Liverpool (Hugs &) Kisses'' (ship of fools / pushtika, 2015). Joseph Conrad ''Joseph Conrad: Betrayal and Identity (Macmillan, 1992). ''Cross-Cultural Encounters in Joseph Conrad's Malay Fiction'' (Palgrave, 2000). ''Conrad's Secrets'' (Palgrave Macmillan, 2012). Ford Madox Ford (Co-edited with Tony Davenport), ''Ford Madox Ford: A Re-Appraisal'' (Rodopi, 2002). (Co-edited with Max Saunders), Ford Madox Ford's Modernity'' (Rodopi, 2003). Critical Work on Poetry (Co-edited with Peter Barry), ''New British poetries: The scope of the possible'' (Manchester University Press, 1993). (Co-edited with Will Montgomery), ''Frank O'Hara Now'' (Liverpool University Press, 2010) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robert Gavin Hampson」の詳細全文を読む スポンサード リンク
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